Philly Music & Nightlife:
Review: Center City Opera’s fine ‘Il Postino’ In its East Coast premiere Daniel Catán’s operatic version of the film Il Postino is infinitely more engaging than one could ever have predicted from an opera that has little exterior action characters that aren’t especially heroic and music that hasn’t a fraction of the usual tension of the opera’s 20th-century predecessors. You aren’t likely to walk away from the Center City Opera Theater production which opened Thursday at the Prince Music Theater thinking you’ve seen a masterpiece. But the experience — with beautiful music and scenes set by computer-animated projections suggesting the Italian island setting — is like a mini-vacation to a mellow place that might not be a viable residence but makes for a haunting visit. When he died last year at 62 Catán was beloved but rarely heard in many of the usual U.S. opera centers. Part of the new tonality school of composers he went a step further: He could create drama without dissonance sometimes by taking his fundamentally lush harmonic language and pushing it beyond the ordinary bounds in order to give his stories their needed dramatic contour. Il Postino’s plot was right for his ability to make the most common inner transformations like falling in love feel important. But he wasn’t one to pretend that the last 50 years of music hadn’t happened. His harmonic modulations go to all sorts of unexpected places. Often the music’s soul lies in the writing for winds.
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Review: Dutoit bids a dazzling ‘Au revoir’ Keen listeners might find a poignant layer or two around Charles Dutoit’s final stroke as chief conductor of the Philadelphia Orchestra. Ravel’s Daphnis and Chloé ends on a nearly unbearably brilliant A major chord — the key German poet Christian Schubart believed messaged the hope upon parting of seeing one’s beloved again. Verizon Hall’s Thursday night capacity audience seemed to be yearning already. A standing ovation for the conductor began gathering even before the music’s start just after he glided on stage and neared the podium. But Dutoit had already pivoted for the upbeat to Glinka’s Overture to Ruslan and Lyudmila and apparently missed his admirers’ incipient gesture.
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Donna Summer Disco diva Donna Summer passed away Thursday May 17 2012 at 63 after a battle with cancer.
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For Hootie's Rucker country's a second act Darius Rucker is the first to admit he's had one of pop music's most unusual - though to him hardly unexpected - second acts.
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Justin Townes Earle Mariachi El Bronx Butch Hancock to perform in Philadelphia Justin Townes Earle "Hear my father on the radio singing . . ." Thus Justin Townes Earle begins his fourth album Nothing's Gonna Change the Way You Feel About Me Now. That's not the only time Steve Earle is alluded to in the 10-song set. Not t
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Concert and club listings In Concert Arden Gild Hall 2126 The Highway Wilmington; 302-475-3126. www.ardenclub.com. Lukas Nelson & the Promise of the Real. $15. 5/19. 8 pm.
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'In the Mix' Inquirer critic Dan DeLuca writes about pop music and culture at www.philly.com/philly/blogs/inthemix.
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Who is Bob Lefsetz and why are radio insiders eager to hear him speak? Look out Non-Comm here comes Bob Lefsetz. Bob who? Non-what?
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Labor Day concert on Parkway will require admission Concert promoters and the city are still a long way from working out logistics for the Labor Day weekend Made in America music festival unveiled Monday the first Parkway event ever to require paid admission.
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Curtis’ year-end crescendo with a melancholy note Most schools might prefer that graduating students show up to collect their diplomas. But at Saturday’s ceremonies launching 36 graduates into uncertain futures the Curtis Institute of Music noted a no-show with some pride: Canadian violinist Nikki Chooi sent his regrets as he was busy being a finalist in Belgium’s prestigious Queen Elisabeth Competition.
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